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É com muito prazer que eu convido você a participar do blog do Clube de Inglês (site: http://thaislobojunqueira.googlepages.com/clubedeingles)! Este projeto tem por objetivo iniciar os alunos de inglês no fascinante universo dessa língua. Este blog é mais uma ferramenta que usaremos para fazer contato. Nosso propósito é que aqui vocês compartilhem suas experiências virtuais com a língua inglesa. Eu espero que vocês possam encontrar nos posts e nos links um incentivo para desenvolver mais esta habilidade profissional: a de comunicar-se em inglês!

Enjoy this famous Brazilian song at:

Chega de saudade – Tom Jobim and Vinícius de Moraes (with translation)


A brief and painless history of Brazil, focusing on a dozen or so people who where major players in that country’s development.



The pre-columbian indigenous Indian population in
Brazil was widely scattered and probably numbered no more than 1 million when Pedro Cabral, the Portuguese explorer, reached the coast of Brazil on April 22, 1500.


The first mass in Brazil


The first permanent Portuguese settlement was founded at
Sao Vicente, in the state of Sao Paulo (1532). Initially, development was slow, based upon a feudal system in which favored individuals received title to large blocks of land called capitanias. Because of the great demand for sugar in Europe, the first major economic cycle in Brazil was based upon the sugarcane, grown in plantations along the northeast coast. To work the fields, the early settlers used native labor, often furnished by the Bandeirantes, as the pioneers from the state of Sao Paulo were known. When the indians proved insufficient in numbers, or unable to withstand the hard labor, depending upon the story, the importation of millions of slaves from African began.

DUTCH and FRENCH INVADERS


During this period the Dutch and the French briefly settled in the Northeast and
Rio de Janeiro, building forts and leaving blue-eyed brown-skinned Brazilians. Under Estacio de Sa and others the Portuguese and Brazilians expelled the invaders, who in the case of many of the Dutch from Recife and Sao Luis, moved to their new colony in a place called New Amsterdam on the island of Manhattan. That is how Brazil settled New York City.

Slaves and Quilombos

Another interesting fact from this period was founding of the Quilombos by slaves who escaped from the plantations. The Quilombos were built in remote areas, and could have hundreds of people living, raising families, growing crops and fighting to keep their independence. Of course the former owners took a dim view of this, but were usually defeated when sending military expeditions against the ex-slaves. What to do? Call in the Paulistas and Bandeirantes from Sao Paulo in the south of Brazil, even at that time known to be the most efficient, hard working and organized of Brazilians. The Paulistas soon destroyed the Quilombos, including the most famous one at Palmares, which required cannon and a long seige.

WEALTH and GOLD


Gold and diamonds were discovered in Minas Gerais shortly after 1700, beginning what is called the gold cycle, and leading to the development and occupation of the interior.
Rio de Janeiro supplanted Bahia as the capital in 1763.


In 1807-08, during the Napoleonic Wars, King John VI of Portugal took refuge in Rio de Janeiro. Brazil, now the seat of government for its mother country, witnessed tremendous economic growth. Life was so good in Rio, that after Napolean had been defeated, the Royal family stayed on until a threatened revolt in Portugal forced John VI to return to Lisbon. Popular pressure in Brazil compelled his son, Dom Pedro, to declare Brazil independent in 1822, and so Brazil became an Empire with a monarchy, while the rest of North and South American became republics. Pedro’s personality was enigmatic and his rule erratic. After a disastrous war (1825-28) with Argentina and a revolt in Rio de Janeiro, Pedro’s abdicated (1831) in favor of son, Pedro II. He then returned to Portugal, where he was able to get his daughter to be crowned as queen.



The EMPIRE

Royalty in Brazil: House of Bragança


The house of BRAGANCA was the ruling dynasty of PORTUGAL from 1640 to 1910 and of BRAZIL from 1822 to 1889. In 1442, King JOHN I of Portugal made his illegitimate son, Afonso, duke of Braganca. Afonso’s descendants became the wealthiest noble landowners in Portugal, with some 50,000 peasants. In the national revolution against Spanish rule of December 1640, Joao, duke of Braganca, was crowned King JOHN IV. The dynasty ruled Portugal until the overthrow of MANUEL II and the establishment of a republic in 1910. When Brazil asserted its independence of Portugal in 1822, it became an empire under PEDRO I, son of the Portuguese king JOHN VI. Pedro’s successor, PEDRO II, was overthrown in a republican revolution in 1889.

John VI, King of Portugal


John VI, b.
May 13, 1767, d. Mar. 10, 1826, king of Portugal from 1816, survived – rather than shaped — the tempestuous events of his times. When his mother, Queen Maria I, became insane in 1792, John took over her duties, becoming regent in 1799. Portugal long remained untouched by the influences of the French Revolution and the Napoleonic Wars. In 1807, however, as a French Army advanced across Spain, the royal family and court fled to Brazil. They remained there even after the British had driven the French out of Portugal (1811) and John had succeeded to the throne on Maria’s death (1816). In 1820 a liberal revolt, patterned after the Spanish revolution of the same year, broke out in Portugal. The following year John was persuaded to return to Portugal, leaving his son Pedro (later Emperor PEDRO I) as regent of Brazil. In 1825 he recognized Brazil‘s independence. Having accepted a liberal constitution, John subsequently faced continuing intrigues and political discontent. His indulgent, irresolute personality encouraged ambitious conspirators to use the monarchy for their own ends. After John’s death, his daughter Maria Isabel became regent for Pedro who ruled Portugal briefly as Peter IV.

Pedro I, Emperor of Brazil

Pedro I (Antonio Pedro de Alcantara), b. Oct. 12, 1798, d. Sept. 24, 1834, was the first emperor of independent Brazil. Son of the prince regent, later King JOHN VI of Portugal and Brazil, Dom Pedro fled with the royal family from Lisbon to Rio de Janeiro soon after the French invaded the Iberian Peninsula in 1807. When John reclaimed the Portuguese throne in 1821, Pedro remained in Brazil as prince regent. The next year Pedro refused the summons of the Portuguese parliament to return to the continent, and on Sept. 7, 1822, he declared Brazil an independent monarchy.



The Ipiranga Cry


Pedro’s personality was enigmatic and his rule erratic. He resisted Portugal‘s efforts to restore the colonial regime yet granted economic concessions to Britain that compromised Brazilian sovereignty. Although he appeared to be liberal and flexible in his policies and choice of advisors, he dissolved the Constituent Assembly in 1823. He granted (1824) a new constitution that satisfied neither republicans nor monarchists. A disastrous war (1825-28) with Argentina, preoccupation with affairs in Portugal–where his daughter’s right to the crown was being challenged by his brother, Miguel–and a revolt in Rio de Janeiro precipitated Pedro’s abdication (1831) in favor of his five-year-old son, Pedro II. Pedro I then returned to Portugal, where he engineered the defeat of his brother and had his daughter declared of age to be crowned Queen MARIA II.

Leopoldina and future Pedro II

Dom Pedro II, Emperor of Brazil


Pedro II (Pedro de Alcantara), b.
Dec. 2, 1825, d. Dec. 5, 1891, second and last emperor of Brazil (1831-89), was a liberal-minded reformist best remembered for overseeing the abolition of slavery in Brazil, and for bringing millions of Italian, German and Polish immigrants to the south of Brazil. Pedro, who succeeded his father Pedro I, was far more successful as a linguist, as a scholar and a scientist than he was as a ruler; his reign was marred by a number of internal revolts and conflicts with neighboring countries.

But Pedro II was an able ruler, and the country prospered and grew during his long reign, which continued until 1889. His government helped overthrow neighboring dictatorships and took a series of steps to end slavery, completing that process in 1888. Pedro spent the last two years of his life with his family in Europe.

The REPUBLIC


Unrest among planters, the military, and the republicans finally culminated in a coup that overthrew the emperor and established (1889) the first republic. Pedro, by all accounts a decent, kindly gentleman, was poorly treated by the new government and spent the last two years of his life in exile. With the new republican government came the rubber cycle, which produced great profits, an opera house and the great Caruso singing in the middle of the Amazon jungle. But, as every Brazilian school boy knows, an English rascal stole a rubber plant and the boom collapsed, unable to complete with the stolen rubber from
Asia. The next cycle was that of the coffee bean, and for more than 50 years politics was expressed in terms of cafe com leite, or coffee and milk, representing the coffee growers from Sao Paulo and the cattle ranchers from Minas Gerais.

CRISIS and World War II


This period was ended by a little gaucho from the south of
Brazil, named Getulio Vargas. Unsuccessful in his bid for the presidency in 1930, Vargas led a revolt that overthrew the government. Over the next 15 years, he effected massive transformations in the public and private sectors. His style was authoritarian and his appeal populist: unionization, industrialization, and social welfare programs gained him the working – and middle-class backing. Vargas gave support to the Allies during World War II, but his popularity declined as democratic sentiment grew. In 1945 he was ousted by the army. Vargas returned to power in 1950, democratically election as president, but his second tenure was beset with scandals and economic difficulties. Faced with growing opposition and expecting a coup, he resigned and then committed suicide in 1954. Vargas’s tenure marked the start of modern industrialization for Brazil.

GETÚLIO VARGAS


Vargas was a strange guy – a mixture of Mussolini and FDR. Today he is the hero of all left wing activists and politicians, but his secret police brutally tortured communists in the 30s. The book OLGA paints a good picture of this period (there is an English translation). Olga was a German communist jewess who met and married Luis Carlos Prestes in
Russia and returned with him to bring the joys of Stalinism to Brazil. Prestes — who lived to be a ripe old age and whom I once saw in Rio — is best known for a long march undertaken in the 30s, traveling thousands of kilometers and holding off government forces and proving that most people did not care for either Vargas or Prestes. What happened to Olga? She was capyured by Vargas’ police and shipped back to Nazi Germany — not a good place for a jew. She died in a concentration camp, but not before delivering a baby girl, now a university professor in Rio.

MODERNIZATION and MILITARY REGIME

In 1960 a new capital was established at Brasilia to encourage development of the interior, but the concern of the military and business leaders turned to the pressing problems of social unrest and excessive inflation. In 1964 the military overthrew President Joao Goulart, who was rapidly moving to the left. For the next 21 years, Brazil was ruled by a succession of military governments. Although the country’s economy prospered, the military suspended constitutional guarantees and imposed press censorship. Civilian government was restored in 1985 when an electoral college chose the very popular Tancredo de Almeida Neves as president. He died before taking office and was succeeded by Jose Sarney, a well connected and powerful politician from the North of Brazil.

REDEMOCRATIZATION


Brazil
got a new constitution in October 1988. A year lated Fernando Collor de Mello was elected, after a close electoral race with Luis Ignacio de Souza (always called LULA) representing the always very vocal left. Lula might have won, except for: (1) Eastern Europe deciding they had had enough of the very thing Lula wanted for Brazil. This was very embarrassing for Lula and his supporters, who went on TV to try to convince the people that the PT’s (Worker’s Party) had nothing to do with Communism in Europe. (2) Roberto Marinho, the owner of the Globo network and most powerful man in Brazil, was afraid that a left wing government would nationize his property, so he backed Mello. (3) some of the usual dirty tricks all politicians do.


Mello was elected and soon launched a “shock” program to reduce inflation and government spending (these programs are called pacotes, meaning packages, a term you must learn if living in Brazil). People soon found that Collor was corrupt, and so he lost all support, even that of Marinho. Out went Collor, under a cloud of impeachment. These last two presidents are representative of everything that is bad in traditional Brazilian politics, where nice words are used to cover the the ugly face of power, priviledge, self-interest and corruption.


This may be changing with Fernando Henrique Cardoso, elected in 1994, and whose pacote, called the Real Plan, named after the new currency, has held inflation under control and generated growth.

OTHER COMMENTS


By then large sections of the population favored a republic. A military revolt led by Manuel Deodoro da Fonseca forced Pedro II to abdicate.
Brazil was proclaimed a republic with official separation of church and state. A constitution like that of the United States was adopted in 1891, and Brazil officially became the United States of Brazil. Fonseca was elected its first president but soon ruled as a dictator, only to yield to another.


Order was restored during the administration of the first civilian president, Prudente José de Moraes Barros, and succeeding administrations struggled to strengthen the troubled Brazilian economy. World War I (1914-1918) caused an increase in demand for Brazilian products on the world market, and the Brazilian economy improved. Brazil contributed ships and supplies to the success of the Allied forces.


After the war, continually deepening economic crisis led to unrest, a large-scale revolt, and martial law under President Artur da Silva Bernardes. Continued economic trouble and an upsurge in radicalism prompted his successor, Washington Luiz Pereira de Souza, to ban labor strikes and repress communism.


Brought to power by military revolt in 1930, Getúlio Dornelles Vargas ruled for the next 15 years. His government followed mixed policies of social reform and repression, and the economy continued to struggle. Woman suffrage and social security were established, but by 1937 Brazil was a totalitarian state. During this period, Brazil was friendly with the United States and other democracies but broke ties with the Nazi Third Reich because of German political activity in Brazil, including support of an open revolt. Brazil sided with the Allies in World War II (1939-1945), again using increased world demand for raw materials to expand its economy. It contributed direct military support, access to bases, and vital supplies to the defeat of the Axis powers. After the war, the Vargas regime loosened its political grip. National elections were scheduled for late 1945. Amid fears that Vargas would retain his dictatorship, opponents ousted him by a military coup. Elections proceeded, and former Minister of War Eurico Gaspar Dutra won the presidency.


Vargas was elected president in 1950, and his coalition government at once moved to balance the budget while improving the standard of living. It did not succeed. In 1954 military leaders forced Vargas to resign; he then committed suicide.


For the next three decades, Brazil suffered a series of unstable governments followed by military rule. Attempts to stimulate the economy with foreign loans foundered on sinking coffee prices. Rigorous austerity measures were abandoned. Pressured by the military, the legislature amended the constitution in 1961 to strip the presidency of most powers. Two years later the legislature restored presidential powers. Opposition parties were outlawed or refused to enter candidates in elections. Despite repression, unrest became widespread.


During this time, the economy grew, but the plight of the poor worsened. The Roman Catholic clergy criticized government failure to help the disadvantaged. Economic growth also brought inflation, high energy costs, and difficulties with loan payments.


Brazil returned to civilian rule with the election of Tancredo Neves in 1985. However, he died before taking office, and José Sarney became president. Faced with rising inflation and a huge foreign debt, Sarney imposed an austerity program that included introducing a new unit of currency. A new constitution restoring civil liberties and providing for direct presidential elections was enacted in 1988. Fernando Collor de Mello was elected president in 1989. His term was marked by an anti-inflationary recession and by allegations of financial corruption. Shortly after Brazil hosted the United Nations Conference on Environment and Development, also known as the Earth Summit, in 1992, Collor was impeached. He resigned his post to Vice President Itamar Franco. In 1994 a plan to restructure and reduce Brazil‘s foreign debt was implemented. In the same year, Brazil joined other Latin American and Caribbean nations by declaring itself free of nuclear weapons.


Fernando Henrique Cardoso, a former finance minister responsible for much of Brazil‘s economic recovery, won the 1994 presidential elections. Soon afterward, Collor was acquitted of corruption charges.


Cardoso’s administration found itself caught up in issues of land ownership and land use. By a 1995 presidential decree, Cardoso redistributed tracts of land from large, private estates to poor families. In 1996 he signed a decree allowing people other than Native Americans to appeal land allocation decisions made by Brazil‘s Indian Affairs Bureau. The law was widely condemned by human rights, Native American, and religious organizations.


More information about Brazil at:

http://www.brazilbrazil.com/historia.html

Brazilian Presidents Gallery:

http://www.planalto.gov.br/Infger_07/presidentes/gale.htm

Brazilian studies guide:

http://www.umich.edu/~port150/

Introduction


Brazilian Literature, writings in the Portuguese language produced by inhabitants of
Brazil. Three ethnic groups have contributed to the shaping of this literature: Native Americans; transplanted Europeans; and blacks, whose ancestors were brought from Africa as slaves.

I. Colonial Period (16th - 18th century)


The literature of the colonial period is rich in historical and geographical descriptions. The exploration of
Brazil, the wars incidental to its conquest by Portugal, and the early settlement by Portuguese and other Europeans form the major themes of the early writings. The first literary works based on the conquest were chronicles and epic poems. Bahia enjoyed distinction as the first literary center of the country. Noted writers included:


Jesuit priest Antônio VIEIRA
(1608-97) and


    satirist Gregório de MATTOS GUERRA (1633-96).


      By the second half of the 18th century, literary predominance passed from Bahia to the vigorous mining area of Minas Gerais. Several epics originated there, including:


      Uruguay
      (1769) by José BASÍLIO DA GAMA(1740-95) and




        Sea Dragon by Friar José de SANTA RITTA DURÃO
        (approximately 1737-84).



          II. National Period (19th - 20th century)


          Literary tendencies of the European continent continued to be reflected in 19th-century Brazilian literature, while some writers focused on the Brazilian sertão (inland plateau) and the selva (Amazon jungle). Romanticism was brought to
          Brazil from France by:


          Domingos José GONÇALVES DE MAGALHÃES
          (1811-82), who is credited with giving to Brazilian verse new and freer forms that further distinguished it from Portuguese verse;



          another noted romantic poet was Antônio GONÇALVES DIAS (1823-64), who also compiled a Dictionary of the Tupi Language (1858);


              Other 19th-century Brazilian poets include:


              Antônio ÁLVARES DE AZEVEDO
              (1831-52),



              Olavo BILAC
              (1865-1918),



                Raimundo CORREIA
                (1860-1911), and



                  Alberto de OLIVEIRA
                  (1857-1937).


                    The most important novelist of the 19th century was:



                    Joaquim Maria MACHADO DE ASSIS
                    (1839-1908), whose many novels are distinguished for their psychological penetration;



                    novelist José de ALENCAR (1829-1877) wrote about Native American themes;

                      while 19th-century novelists Bernardo da SILVA GUIMARÃES (1825-84) and


                        Euclides da CUNHA
                        (1866-1909) chronicled life in the Brazilian backlands;


                        two novelists who set the stage for realism and naturalism in Brazilian literature were Manuel Antônio de ALMEIDA (1831-61) and



                        Alfredo d’ESCRAGNOLLE
                        , visconde TAUNAY (1843-99);


                        the first authentic naturalistic author was ALUÍZIO AZEVEDO (1857-1913).

                          African influences and the theme of slavery have played an important role in the work of Brazil’s many black writers, including renowned poet João da Cruz e Sousa (1861-98). Jorge de Lima (1893-1953) was one of the most prolific poets of the 20th century. Two other outstanding poets were:


                          Manuel BANDEIRA
                          (1886-1968) and


                          Carlos DRUMMOND DE ANDRADE
                          (1902-87), also a popular dramatist;


                          João Cabral de MELO NETO
                          (1920-99) rooted his verse in native folklore tradition.

                            Twentieth-century Brazilian novelists include:


                            José Lins do RÊGO
                            (1901-57),


                            Érico VERÍSSIMO
                            (1905-75),


                            João GUIMARÃES ROSA
                            (1908-67),


                            Jorge AMADO
                            (1912-2001), and


                            Clarice LISPECTOR
                            (1925-77);

                              and dramatists include:



                              Carlos DRUMMOND DE ANDRADE
                              (1902-87) and



                              Ariano SUASSUNA
                              (b. 1927).

                                A Brazilian literary identity


                                A branch of Portuguese literature from the 16th to the early 19th century, Brazilian literature began to acquire its own identity only after 1822, when
                                Brazil severed political ties with Portugal. Through World War II, the model for Brazilian letters was French literature. Literary schools, therefore, followed French patterns: first romanticism, then realism, symbolism, and finally – after a transitional period between approximately 1900 and 1920 – avant-garde modernism.


                                • Antônio Francisco LISBOA, b. 1738, d. 1814, known as “O Aleijadinho” (“Little Cripple”), was the most renowned sculptor and architect of the Brazilian rococo period. He was the illegitimate son of the Portuguese architect Manuel Francisco Lisboa and a black slave called Isabel. At the age of 39 he contracted a disease that crippled him and left him without the use of his hands; thereafter he worked with a hammer and chisel strapped to his arms. His best work was done in his maturity. As an architect he is most noted for the design of the church of Sao Francisco de Assis in Ouro Preto, for which he also carved most of the interior decoration. His sculptural masterpiece is the series of 12 stone prophets and 6 polychromed wood scenes of the Passion of Christ, which he executed in 1800-05. These are installed in six chapels flanking the approach to the church of Bom Jesus de Matozinhos in Congonhas do Campo (Minas Gerais).


                                • Antônio GONÇALVES DIAS, b. Aug. 10, 1823, d. Nov. 3, 1864, is regarded as Brazil‘s national poet, and his Song of Exile (1843), with its evocative first line, “My land has palm trees,” is that country’s best-known poem. Educated in Portugal at the University of Coimbra, he wrote of love and of his country in Primeiros Cantos (First Songs, 1846), Segundos Cantos (Second Songs, 1848), and Últimos Cantos (Last Songs, 1851). The unfinished Indian epic, Os Tambiras (1857), and a dictionary of the Tupi language (1858) reflect his interest in ethnology. Acting on behalf of the government, he surveyed the school system in North Brazil and participated in a scientific expedition to the Upper Amazon Valley. He was returning to Brazil from Europe when he died in a shipwreck.


                                • Joaquim NABUCO DE ARAÚJO, b. Aug. 19, 1849, d. Jan. 17, 1910, a Brazilian writer and diplomat, was a leader in the fight to abolish slavery in Brazil. He helped secure a partial and gradual emancipation bill in 1871, founded the Brazilian Antislavery Society in 1880, and wrote extensively about slavery, which was finally abolished in Brazil in 1888. Although a monarchist, Nabuco served the Brazilian republic as ambassador to the United States (1905-10). Among his writings are an autobiography (1900) and Abolitionism: The Brazilian Anti-Slavery Struggle (1883; Eng. trans., 1977).


                                • José Martiniano de ALENCAR b. May. 1, 1829, d. Dec. 12, 1877), Brazilian playwright, journalist, lawyer, and politician, best known as a pioneer of modern Brazilian literature. Alencar was born in Mecejana (Messejana), Brazil. In 1857 he published the novel O Guarani, which established his reputation and popularity as a writer and introduced the Indianista genre of Brazilian fiction. Indianista novels typically describe the life, language, and customs of the indigenous Brazilian peoples known as Amerindians. Alencar believed that Brazil should forge a new language and literature to differentiate its cultural tradition from that of Portugal. In his writings, he reworked words from the Amerindian Tupi language and changed sentence structure to form what he considered a proper Brazilian form of Portuguese.





                                • Joaquim Maria MACHADO DE ASSIS, b. June 21, 1839, d. Sept. 29, 1908, Brazil‘s most revered writer and the founder, in 1896, and first president of the Brazilian Academy of Letters. Machado de Assis was born in Rio de Janeiro, the son of a black father and a Portuguese mother who received scant education before entering the printer’s trade and then becoming a journalist. Although Machado wrote poetry, drama, chronicles, criticism, and political works, he was known above all for his novels and short stories depicting life in Rio de Janeiro during the Second Empire (1822-89). His most successful works are rooted in the European tradition. Sometimes compared to Henry James, he focuses on universal humanity in his profound and ingenious analyses. Because for Machado life was a tragic dream, his writings are underlined by pessimism, bitterness, and a melancholic tone, all disguised by an ironical humor, as in his novels: Epitaph of a Small Winner (1881; Eng. trans., 1952) – a first-person, digressive narrative using the techniques of free association, Philosopher or Dog? (1891) and his greatest work, Dom Casmurro (1900; Eng. trans., 1953). What predominates in his pages, however, are the aesthetic values, and it was for the subtlety and power he brought to his art that Machado gained international recognition. He is considered a master of the short story, collections of which were published in translation as The Psychiatrist and Other Stories (1963) and The Devil’s Church and Other Stories (1977).


                                • Critics and literary historians generally agree that the Brazilian Joaquim Maria MACHADO DE ASSIS (1839-1908) was the outstanding Latin American novelist of the 19th century. Machado was the first major Brazilian writer to experiment with language and structure, beginning a tradition of openness to the avant-garde that continues to this day. Modernism shaped Brazilian letters in the period before World War II, and, like similar movements in Europe, it turned to folk sources for material and used the vernacular as its language. The leading exponent of modernism was Mário de Morais ANDRADE (1893-1945), whose great novel Macunaíma (1928) is considered its outstanding example.


                                • A novelist, poet, literary and art critic, musicologist, and teacher, Mário de Morais ANDRADE, b. Sept. 9, 1893, d. Feb. 25, 1945, was a leading cultural figure in the modernist movement in Brazil. His book of poetry, Hallucinated City (1922; Eng. trans., 1968), can be considered a manifesto of a literary trend toward popularizing art. His dynamic leadership and his enormous influence led Andrade to be called the “Pope of Modernism.” Several of his short stories and Macunaima (1928), his most famous prose work, are considered masterpieces.


                                • The anthropologist and historian Gilberto FREYRE, b. Mar. 15, 1900, d. Jul. 18, 1987, in such social histories as The Masters and the Slaves (1933; Eng. trans., 1946), had a significant influence, especially on writers of Brazil‘s Northeast region. The Devil to Pay in the Backlands (1956; Eng. trans., 1963), by the great novelist João GUIMARÃES ROSA (1908-67) is a regional novel and one of the first contemporary Latin American literary works to achieve international acclaim. The novels of Jorge AMADO (1912-2001), one of Brazil‘s most popular writers (for example, Dona Flor and Her Two Husbands, 1966, Eng. trans., 1969) are also widely translated.


                                • A major force in modern Brazilian literature, João GUIMARÃES ROSA, b. June 27, 1980, d. Nov. 19, 1967, practiced medicine in the sertão (inland plateau), the sparsely populated hinterland where he had been born, before becoming a diplomat in the Brazilian foreign service. The sertão, however, remained the background for his fiction, which includes several volumes of short stories–notably Sagarana (1946; Eng. trans., 1966) and The Third Bank of the River (1962; Eng. trans., 1968). It was his monumental novel The Devil to Pay in the Backlands (1956; Eng. trans., 1963), however, that brought him international fame and that sustains his reputation today.


                                • Brazilian novelist Jorge AMADO, b. Aug. 10, 1912, d. Aug. 6, 2001, was elected to the Brazilian Academy of Letters in 1961. Amado depicts life in his native state of Bahia at the beginning of the century, when wealthy cacao planters dominated the land, as in Gabriela, Clove, and Cinnamon (1958; Eng. trans., 1962). In Dona Flor and Her Two Husbands (1966; Eng. trans., 1969) his characters gain greater individuality. A genuine sympathy for the humble and the socially downtrodden pervades his writing. This, in addition to his lyricism, imagination, and warm sense of humor, has given him an enormous reputation in Brazil and abroad. Two early novels, Jubiabá (1935) and Sea of Death (1936), were published in English translation in 1984, and several other works from the same period appeared in English translation in 1988.


                                • The modernist Brazilian writer Érico VERÍSSIMO, b. Dec. 17, 1905, d. Nov. 28, 1975, chronicled the rise of his native state Rio Grande do Sul in his masterpiece, the trilogy Time and the Wind, comprising The Continent (1949; Eng. trans., 1951), The Portrait (1951; Eng. trans., 1951), and O Arquipélago (The Archipelago, 1961). He also wrote short stories, criticism, children’s books, and travel essays, including an account (1941) of life in the United States.

                                III. The Brazilian Modernists (20th century)


                                At the start of the 20th century the Brazilian modernist movement, centered on
                                Sao Paulo, also began to achieve a similar cultural independence through different means. Brazil had gone through the same stages of development as the rest of Latin America, but its political and cultural independence came more gradually. The first emperor of Brazil, Pedro I, was a legitimate member of the royal Portuguese dynasty. Although he declared Brazil‘s independence from Portugal in 1822, the country remained under imperial rule and the dominance of the court in Rio de Janeiro until 1889.


                                With Brazil thus tied to Portuguese culture, Brazilian writers only little by little assumed responsibility for giving expression to their own landscape and ethnic mix of peoples. The presence of large numbers of former slaves added a distinctive African character to the culture; and subsequent infusions of immigrants of non-Portuguese origin helped the new nation to find its own voice and to use it.


                                José Pereira da Graça Arnanha


                                Early in the century the novels of Joaquim Maria MACHADO DE ASSIS (1839-1908), such as Dom Casmurro (1899; Eng. trans., 1953), of José Pereira da Graça ARANHA (1868-1931), and of Euclydes da CUNHA (1866-1909) took stock of both urban and rural Brazilian life. About 1922 the modernist group (unrelated to the Spanish-language modernists of the 1890s) broke totally with this past, declaring themselves representatives of a new vanguard, and in numerous magazines and small publications experimented with verse and prose. A great deal of editorial and dramatic activity spread to areas remote from the coast, thus helping to upgrade the cultural validity of regions other than the largest urban centers. In the past the states of both Bahia and Minas Gerais had fostered active but relatively short-lived literary movements. Mário de Morais ANDRADE (1893-1945) was the foremost exponent of the modernist group.

                                IV. Recent Latin American Literature


                                Brazil
                                has given birth to a number of avant-garde schools since modernism, the best known of which is CONCRETE POETRY, and both poetry and prose fiction have continued to develop under local and European influence. Some of the best-known Brazilian authors of recent decades include:


                                Jorge AMADO
                                (1912-2001),



                                Érico VERÍSSIMO
                                (1905-75),


                                Oswald de ANDRADE
                                (1890-1954),



                                Clarice LISPECTOR
                                (1925-77),


                                João GUIMARÃES ROSA (1908-67), and


                                Raquel de QUEIROZ
                                (1910-2003) in prose;

                                  and




                                  Carlos DRUMMOND DE ANDRADE (1902-87),


                                  João Cabral de MELO NETO
                                  (1920-99),


                                  Vinícius de MORAES
                                  (1913-80), and


                                  Jorge de LIMA
                                  (1893-1953) in poetry.

                                    In the rest of Latin America it is safe to say that contemporary prose ranks ahead of poetry in its general quality, particularly in view of the success many authors have had in experimenting with techniques introduced by French novelists and literary critics, such as the “new novel,” and with the innovations of such U.S. writers as Faulkner – while retaining a very personal style and a distinctly Latin American voice. Novelists or short-story writers in this vein include:


                                    • Carlos FUENTES and Juan Rulfo of Mexico;
                                    • Alejo CARPENTIER of Cuba;
                                    • Jorge Luis BORGES, Júlio CORTÁZAR, and Manuel PUIG of Argentina;
                                    • Juan Carlos Onetti (b. 1900) of Uruguay;
                                    • Gabriel GARCÍA MARQUEZ of Colombia;
                                    • Mario VARGAS LLOSA (b. 1936) and José Maria ARGUEDAS (1911-69) of Peru; and
                                    • José DONOSO of Chile.


                                    These writers, who are responsible for the boom of the 1960s, have finally managed to fuse the persistent need for self-definition with the need for modernity and universality. Although they have relinquished none of their Latin American specificity, they have expressed themselves in terms that were equally accessible to the much wider audience that is drawn from contemporary
                                    Europe and North America.


                                    Many of their novels incorporate painful reassessments of the nation’s immediate past as well as suggestions for new courses of action. These range from the creation of a new Latin-American-wide consciousness, which would thus obviate the need for European models, to a return to an almost apocryphal native past. At every turn of history, with every successful choice or error, Latin Americans have evolved their own particular sense of history, and writers have assumed an especially active role in forming this consciousness:


                                    • the famous Canto General (1950) of Pablo NERUDA, for instance, is a summa of all Latin America: its land, its history, and its peoples;
                                    • Cesar VALLEJO in his poetry grieves for all the Christs of the continent;
                                    • Nicanor PARRA (b. 1914) mocks the banality of ordinary experience; and
                                    • Ernesto CARDENAL (b. 1925) exhorts Latin Americans to union and activism in the original Christian sense of setting all people free;
                                    • Nicolas GUILLÉN is the poet who most successfully celebrates the infusion of African blood into the Hispanic cultural mainstream;
                                    • Octavio PAZ remains the best-known exemplar of the cosmopolitan tradition.

                                    V. Persecution and Exile


                                    If Latin American writers have never been far from the historical events that shaped their lives and have borne witness to these in print, they have also had to bear the brunt of political persecution. From colonial times – when many Brazilian poets were banished to Angola – through independence – when many writers had to flee their countries – the price for writing about Latin American reality, as they saw it, has often been exile. Again today many younger Latin American writers are far from the source of their language and of their concerns, yet busily writing about both.

                                    More information at:

                                    http://www.brazilbrazil.com/literary.html

                                    Brazilian Academy of Arts:

                                    http://www.academia.org.br/


                                    Brazilian and Portuguese Writers Gallery:

                                    http://www.culturatura.com.br/autores/

                                    http://pt.wikipedia.org/wiki/Categoria:Escritores_do_Brasil

                                    http://pt.wikipedia.org/wiki/Literatura_portuguesa


                                    Sites about Brazilian Writers:

                                    http://www.releituras.com/biografias.asp

                                    http://www.klickescritores.com.br/

                                    http://www.biblio.com.br/default.asp

                                    http://www.cce.ufsc.br/~nupill/literatura/obras.html


                                    Some Brazilian writers sites:

                                    http://www.carlosdrummond.com.br/

                                    http://www.machadodeassis.org.br

                                    http://www.fgf.org.br/

                                    http://www.vidaslusofonas.pt/aleijadinho.htm

                                    http://www.vidaslusofonas.pt/villa-lobos.htm

                                    http://www.culturabrasil.pro.br/portinari.htm

                                    http://www.museuvillalobos.org.br/


                                    Sites about Brazilian Literature:

                                    http://www.culturabrasil.pro.br/brasilianliteratura.htm

                                    http://www.nilc.icmc.usp.br/nilc/literatura/modernismo1.htm

                                    http://educaterra.terra.com.br/literatura/index.htm


                                    They represent well the different aspects of cultural development in the last 500 years, considering only two factors: popularity and influence.




                                    Luís de Camões


                                    Any study of Brazilian Art must begin with Luís de Camões (1525 – 1580),
                                    Portugal‘s national poet. Born in Lisbon to an impoverished noble family, he joined a military expedition to the Orient to seek fame and fortune, but returned penniless. While in Macau, off the coast of China, in a cave, he wrote the Lusíadas, the great Portuguese national epic (kind of like Shakespeare writing his plays in a hut in Afghanistan).


                                    The development of all subsequent Portuguese (and Brazilian) literature can be traced to this work. Camões totally dominates all poetic currents of his time. He also wrote beautifully structured sonnets and lyric poems. Camões died in poverty and obscurity. A giant of his era, he has influenced writers in many languages, including the great English poets of the Elizabethan era (Browning’s Sonnets from the Portuguese: “How do I love thee, let me count the ways”).


                                    The Shakespeare of Portugal, the Dante of lusitan culture, the Cervantes from Lisbon. All Portuguese language literature is indebted to Camões. He is the defining writer on all luso-Brazilian literary endeavors. Most memorable line (referring to the Portuguese language):



                                    Última flor do lácio, inculta e bela

                                    last flower of latin, unknown and beautiful.



                                    Of course, Camões is not Brazilian, but Brazilian literature is Camões.



                                    José de Anchieta


                                    José de Anchieta
                                    (1534 – 1597), a Portuguese Jesuit priest, is considered to be the first writer of Brazilian themes. His writings reveal religious devotion and include religious plays, poems, descriptive prose, and the first Tupi Indian grammar. Anchieta is also known for founding the great city of Sao Paulo in 1554.



                                    Aleijadinho (“Little Cripple”)


                                    From the beginning of the 17th century to the end of the colonial period, the baroque styles of
                                    Europe dominated the artistic life of both the Spanish and Portuguese colonies. Baroque architecture is represented in the large churches featuring the use of connecting oval interior spaces and contrasting concave and convex exterior walls. In Brazil, baroque art is most visible in the magnificent churches and the sculptural creations of Antonio Francisco Lisboa, known as Aleijadinho, meaning The Little Cripple.


                                    He was said to have worked with paintbrush, hammer and chisel strapped to his hands, not being able to hold them with his fingers, because of disease. The most famous of Aleijadinho’s work are the Sao Francisco de Assis church in Ouro Preto, brilliantly decorated with carvings in wood and soapstone, and the dramatic statues of the Twelve Prophets at Congonhas do Campo.



                                    Antônio Gonçalves Dias


                                    Antônio Gonçalves Dias
                                    (1823 – 1864) is regarded as Brazil‘s national poet, and his Song of Exile (1843), with its evocative first line:


                                    Minha terra tem palmeira, onde canta o sabiá

                                    “My land has palm trees, where the nightengale sings”


                                    is
                                    Brazil‘s most famous poem. Educated in Portugal at the University of Coimbra, he wrote of love and of his country in Primeiros Cantos (First Songs, 1846), Segundos Cantos (Second Songs, 1848), and Últimos Cantos (Last Songs, 1851). He was returning to Brazil from Europe when he died in a shipwreck at the age of 41.



                                    Joaquim Nabuco


                                    Joaquim Nabuco de Araújo
                                    (1849 – 1910) a Brazilian writer and diplomat, was a leader in the fight to abolish slavery in Brazil. He helped secure a partial and gradual emancipation bill in 1871, founded the Brazilian Antislavery Society in 1880, and wrote extensively about slavery, which was finally abolished in Brazil in 1888. Joaquim Nabuco’s importance derives from his use of literature as social conscience and political weapon, a mix of Sinclair Lewis and Harriet Bleecher. His works have none of the beauty and poetic precision of those of Gonçalves Dias.




                                    Castro Alves


                                    Castro Alves
                                    (1847 – 1871) addressed many of the same themes as Joaquim Nabuco, but much more poeticallly. There has never been a greater literary assult on the evils of slavery than Navio Negreiro (Black Slave Ship):



                                    Senhor Deus dos desgracados
                                    Dizei-me vos, Senhor Deus
                                    Se e’ loucura … se e’ verdade
                                    Tanto horror perante os céus.




                                    José de Alencar


                                    José de Alencar
                                    (1829 – 1877) and Machado de Assis (1839 – 1908) are two romantic era novelists, known for their romantic, brazilian themes.
                                    They both deal with the common aspects of everyday life of the common people. Alencar is more of a naturalist, focusing on the purity of native society, uncorrupted by civilization. Assis, on the other hand, uses urban themes to paint a very pessimistic picture of life.




                                    Mário de Andrade


                                    Mário de Andrade
                                    (1893 – 1945) was a leading cultural figure in the modernist movement in Brazil and the central figure in 1922 Week of Modern Art movement, the beginning point of all modern art in Brazil. Because of his influence on all modern art, Andrade is an easy choice for this list. His works are difficult and obscure, but mark a break from the romanticism and classical tradition followed by all writers until the early 20th century. His dynamic leadership and his enormous influence led Andrade to be called the “Pope of Modernism.”


                                    His book of poetry, Hallucinated City, can be considered a manifesto of a literary trend toward popularizing art. Macunaíma (1928) is his best known work, and is considered by critics to be a masterpiece that defines the soul of the Brazilian people. To most foreigners, Macunaíma is indecipherable, a complete mystery. It has been made into a movie that is more confusing than the book. I would like to here from someone about this.




                                    Gilberto Freyre


                                    Gilberto Freyre (1900 – 1987) pioneered sociological studies in his native Brazil. His most famous work, The Masters and the Slaves examined the relationships of Brazil‘s Portuguese colonizers and their African slaves. It inspired other investigations of African contributions to Brazilian society. Also well known among his 120 books is The Mansions and the Shanties (1936) which examines the rise of urbanization in 19th-century Brazil and the decline of the rural social structure. Freyre represents the social sciences in Brazilian literary tradition, but has been much criticized in the last twenty years for his naive view of racism in Brazil.




                                    Jorge Amado


                                    Jorge Amado
                                    (1912 – ?) is Brazil‘s best known story teller and the most popular writer in Brazil. His novels portray common people and their everyday problems. Amado depicts life in his native state of Bahia at the beginning of the century, when wealthy cacao planters dominated the land, as in Gabriela, Clove, and Cinnamon (1958). How many American writers would focus on a Turk storekeeper named Nacib and a maid, as in Gabriela? In Dona Flor and Her Two Husbands (1966) his characters gain greater individuality.


                                    Amado is said to demonstrate in his works a genuine sympathy for the humble and the socially downtrodden, unless these downtrodden happen to live in a Communist country, in which case they can be murdered by the millions without a peep from Mr. Amado. The only small thing I have against Amado is the picture of him hugging Joseph Stalin, taken in the early 50s. Obviously, Jorge Amado’s sympathy for the downtrodden does not extend to the 20-30 million murdered by his communist friend and hero.




                                    Érico Veríssimo


                                    Érico Veríssimo
                                    (1905 – 1975) was one of the great Brazilian novelists of the 20th century. He is best known for his works about his native state Rio Grande do Sul (the trilogy: Time and the Wind, comprising The Continent, The Portrait, and The Archipelago). He also wrote short stories, criticism, children’s books, and travel essays, including an account of life in the United States, from 1941.


                                    Veríssimo is in a class by himself, not only because of his literary production, but also for his ability to explain Brazilian writing. His 1945 book, Brazilian Literature, is one of the best general resources for those interested in the topic. He is able to explain in simple language how and why things happened.




                                    Carlos Drummond de Andrade


                                    Carlos Drummond de Andrade
                                    (1902 – 1987) can be considered Brazil‘s greatest modern writer. His many literary works focus on the individual and the banality of modern life. His poetry is short and simple, thrusting like a knife into the soul:


                                    E agora, José?
                                    A festa acabou,
                                    A luz apagou,
                                    o povo sumiu,
                                    a noite esfriou,
                                    e agora, José?
                                    e agora, você?




                                    Carmen Miranda


                                    Carmen is another artist that must be put on a list such as this. Born in
                                    Portugal, she embodies the spirit of Brazil in the 1930s and 40s. It is more than just the movies, the music and the dances. The only way to compare Carmen to any American artist would be to put Mae West, Judy Garland and Betty Gable into one body. Going to Hollywood was her biggest triumph and tragedy. She went to the US with nothing but her talent, made it big, and returned in a coffin a dozen years later. I only wish she had not been so stereotyped in her pictures, and that the “Brazilian” scenes had not been filmed with so many Mexican style backgrounds and costumes.




                                    Chico Buarque and



                                    Caetano Veloso


                                    These two could be listed separately, or together. Nobody else represents contemporary MPB (Popular Brazilian Music) like these guys. They have music and feeling. The lyrics are as good as the music. Their influence is greater than any other living song writers. Sent into exile by the Military regime in the 70s, they were a voice of hope to millions wanting a democratic nation. Like Jorge Amado,
                                    Chico thinks a person doesn’t count if killed or persecuted by his Communist buddies.



                                    Roberto Carlos


                                    The last of the great romantics. His popularity is unmatched in all groups and ages of society. Not a great voice, but for 30 some years he was defined “romantic” music in Brazil. He is one of those few people crowned with the “Rei” title, along with other “kings” such as Pelé and Luiz Gonzaga. His name is rarely mentioned when talking about MPB (Popular Brazilian Music), which is for some reason usually associated with Chico, Caetano, Gil, Milton, etc…




                                    Heitor Villa-Lobos


                                    Villa-lobos was
                                    Brazil‘s most famous composer. His formal musical training was scanty, but he traveled widely through Brazil, absorbing folklore and popular music. Befriended by the pianist Arthur Rubinstein, who played his music in the United States and Europe, Villa-Lobos was able to spend the years from 1923 to 1930 in Europe, living primarily in Paris. A prolific composer, his best-known works are the 9 Bachianas Brasileiras (1930-45) and the 14 Choros (1920-28), written for a wide range of performance media, from solo guitar to full orchestra, band, and chorus. All are strongly imbued with Brazilian color.




                                    Cândido Portinari


                                    Portinari (1903 – 1962) is the most widely recognized of
                                    Brazil‘s painters. He introduced many of the ideas and trends of modern painting in Brazil. After studying art in Rio de Janeiro he traveled (1928) to Europe. Returning to his native country, he dedicated his art to the depiction of Brazilian life in a modern yet distinctly Brazilian manner, often emphasizing gauchos (cowboys) and city workers. His early (1930s) paintings of men and women show Picasso’s influence. Portinari is well known for his many murals, including the works War and Peace presented (1955) to the United Nations building in New York City.




                                    Antônio Carlos Jobim


                                    If this list were in order of importance and talent, Jobim would have been up on top with Carmen. Nobody did music like Jobim. He had the rare ability to find the right words and put them to the right tune.


                                    More information at:

                                    http://www.brazilbrazil.com/literary.html

                                    http://www.academia.org.br/


                                    Sites about MPB:

                                    http://www.cifrantiga.hpg.ig.com.br/

                                    http://www.mpbnet.com.br/index.html


                                    ( World map )




                                    ( Brazil regions and states )


                                    Culture

                                    Portuguese is the official language of Brazil, sixth most spoken language in the world. More than French, German, Italian or Japanese. Education is free and compulsory, and 83 percent of adults can read. The government provides support for higher education. Brazil is known for its music, which fuses African and Portuguese elements. The samba and the bossa nova originated in Brazil. The country also has a rich literature (see A little about Brazilian Literature).

                                    Language:


                                    • the official language is Portuguese; however, the accent and the intonation are very different from what one hears in Portugal and other former Portuguese colonies;


                                    • some people say that Brazilians speak “Brazilian”, just like Americans can say they speak “American”, and not English. And there are also many Brazilians who are descendants of immigrants and who speak German and Italian, especially in cities in southern Brazil.


                                    Climate and Temperature in Brazil:


                                    • mostly tropical, but temperate in south;
                                    • Brazil’s climatic typology is very diverse. The huge territorial expanse, allied with factors such as temperature, altitude, barometric pressure and proximity to the ocean, provide the country with climatic conditions that can please everyone. It is one of the richest and most complex ecosystems in the world, with extremely diversified vegetation and sceneries;


                                    • the Brazilian territory is divided into climatic strips: 92% of the territory is located between the Equator and the Tropic of Capricorn. We can therefore say that the Brazilian climate is predominantly tropical, with equatorial and subtropical (temperate zones) strips distributed over the remaining 8% of the nation’s territory. The predominance of lower altitudes throughout the country provides more elevated temperatures, with averages exceeding 20°C;


                                    • the seasons are the exact opposite of those in Europe and the United States, except in the northern region of the country. The average annual temperature is approximately 28ºC in the northern region and 20ºC, in the south;


                                    • extreme temperatures are rare, but they may occur: in the winter, some cities in the south of the country experience negative temperatures, with frost and snow. And in Rio de Janeiro, in the peak of summer, the temperature may hit 40ºC.



                                    Foreign Exchange and Currency:


                                    • the currency used in Brazil is called the Real (R$) and the foreign exchange rate is published daily in the newspapers and other specialized sites. Foreign exchange can be handled in banks, travel agencies and authorized hotels. Travelers’ checks as well as currencies are easily exchanged at these locations. International credit cards are accepted at most hotels, restaurants, stores, travel agencies, car rental companies and other companies that render services to tourists. A floating exchange rate is used;


                                    • the Brazilian currency has remained reasonably stable. From November 2003 to April 2004, the American dollar maintained an average exchange rate of R$ 2,90, according to data from the Brazilian Central Bank.



                                    Basic Indicators
                                    • History:

                                    Discovered by the Portuguese in 1500 AD.

                                    Named for Brazil wood (Pau Brasil) used for lumber.

                                    Became Monarchy, independent from Portugal in 1822.

                                    Current president is Luís Inácio Lula da Silva (since January of 2003).

                                    Regimen and Form of Government: Presidential Republic.

                                    Capital: Brasilia (Federal District).

                                    Currency: Real.

                                    National Date: Independence Day, September 7th.

                                    • Nationality:

                                      noun: Brazilian(s)

                                      adjective: Brazilian

                                      • Ethnic groups: white (includes Portuguese, German, Italian, Spanish, Polish) 55%, mixed white and black 38%, black 6%, other (includes Japanese, Arab, Amerindian) 1%


                                      • Religions: Roman Catholic (nominal) 70%


                                      • Cities: São Paulo, 18 million people (3rd largest).

                                      Rio de Janeiro, 12 million people (10th largest).

                                      Brasília, 1 million, Capital founded in 1960.

                                      National population density: 45 inhabitants per square mile.

                                      Density in Amazon region: less than 2 inhabitants per square mile

                                      • States: 26 states, distributed among 5 geographic regions:

                                      North, Northeast, Central-west, Southwest, and South.

                                      • Location: Eastern South America, bordering the Atlantic Ocean.

                                      Map references: South Americ

                                      Geographic coordinates: 10 00 S, 55 00 W

                                      • Environment-international agreements:

                                      party to: Antarctic-Environmental Protocol, Antarctic Treaty, Biodiversity, Climate Change, Desertification, Endangered Species, Environmental Modification, Hazardous Wastes, Law of the Sea, Marine Dumping, Nuclear Test Ban, Ozone Layer Protection, Ship Pollution, Tropical Timber 83, Tropical Timber 94, Wetlands, Whaling signed, but not ratified: none of the selected agreements


                                      Brazil is the largest country in Latin America



                                      • Area:

                                      total: 8,511,965 sq km (3,3000,000 square miles).
                                      land: 8,456,510 sq km
                                      water: 55,455 sq km

                                      note: includes Arquipélago de Fernando de Noronha, Atol das Rocas, Ilha da Trindade, Ilhas Martin Vaz, and Penedos de São Pedro e São Paulo
                                      Area-comparative: slightly smaller than the US Land boundaries (total: 14,691 km)

                                      Maritime claims:
                                      contiguous zone: 24 nm
                                      continental shelf: 200 nm
                                      exclusive economic zone: 200 nm
                                      territorial sea: 12 nm

                                      Terrain: mostly flat to rolling lowlands in north; some plains, hills, mountains, and narrow coastal belt

                                      Elevation extremes:
                                      lowest point:
                                      Atlantic Ocean 0 m
                                      highest point: Pico da Neblina 3,014 m

                                      Natural resources: bauxite, gold, iron ore, manganese, nickel, phosphates, platinum, tin, uranium, petroleum, hydropower, timber Land use:

                                      arable land: 5%
                                      permanent crops: 1%
                                      permanent pastures: 22%
                                      forests and woodland: 58%
                                      other: 14% (1993 est.)

                                      Irrigated land: 28,000 sq km (1993 est.)

                                      Natural hazards: recurring droughts in northeast; floods and occasional frost in south Environment-current issues: deforestation in Amazon Basin destroys the habitat and endangers the existence of a multitude of plant and animal species indigenous to the area; air and water pollution in Rio de Janeiro, Sao Paulo, and several other large cities; land degradation and water pollution caused by improper mining activities.

                                      • it is the fifth largest country in the world after Canada, the Russian Federation, China and the United States (about the same area as Argentina, Mexico, Venezuela, Colombia, Peru, Paraguay, Uruguay and Ecuador combined). Except for a small number of islands, Brazil is a single and continuous land mass;


                                      • the Equator passes through the northern region, near Macapá, and the Tropic of Capricorn cuts through the south of the country, near São Paulo;


                                      • Brazil’s east to west extension (4,319.4 km) is almost equivalent to its north to south distance (4,394.7 km);


                                      • the country borders French Guiana, Suriname, Guiana, Venezuela and Colombia, to the north; Uruguay and Argentina, to the south; and Paraguay, Bolivia and Peru, to the west. Ecuador and Chile are the only two countries on the South American continent that do not border Brazil. The Atlantic Ocean extends along the country’s entire eastern coast, providing 7,367 km of coastline.



                                      Brazil – a country that greets visitors with a huge smile


                                      • People

                                      A mixture of people from many countries:

                                      Italy, Portugal, Spain, Germany, Africans and native Indians.


                                      Population:
                                      169,806,557 (July 1998 est.). The sixth largest in the world.About the same as Mexico, Argentina, Colombia and Venezuela.

                                      Note: Brazil took a census in August 1996 which showed a total of 157,079,573; this figure is about 5% lower than projections by the US Census Bureau, which is close to the implied underenumeration of 4.6% for 1991; since the full results of the census have not been released for analysis, the numbers shown for Brazil do not take into consideration the results of this 1996 census.

                                      Age structure:
                                      0-14 years: 30% (male 26,090,859; female 25,132,122)
                                      15-64 years: 65% (male 54,199,642; female 55,769,122)
                                      65 years and over: 5% (male 3,499,272; female 5,115,540) (July 1998 est.)
                                      Population growth rate: 1.24% (1998 est.)
                                      Birth rate: 20.92 births/1,000 population (1998 est.)
                                      Death rate: 8.53 deaths/1,000 population (1998 est.)
                                      Net migration rate: -0.03 migrant(s)/1,000 population (1998 est.)

                                      Sex ratio:
                                      at birth: 1.05 male(s)/female
                                      under 15 years: 1.04 male(s)/female
                                      15-64 years: 0.97 male(s)/female
                                      65 years and over: 0.68 male(s)/female (1998 est.)

                                      Infant mortality rate: 36.96 deaths/1,000 live births (1998 est.)
                                      Life expectancy at birth:
                                      total population: 64.36 years
                                      male: 59.39 years
                                      female: 69.59 years (1998 est.)
                                      Total fertility rate: 2.33 children born/woman (1998 est.)

                                      Literacy:
                                      definition: age 15 and over can read and write
                                      total population: 83.3%
                                      male: 83.3%
                                      female: 83.3% (1995 est.)

                                      • the mix of races has made Brazil a culturally rich and at the same time unique country. This miscegenation began with the Indian, the African and the Portuguese, but in a short time, immigrants from around the world began to arrive: Europeans, Asians, Jews and Arabs;


                                      • the result was a happy people, open to everything new, a people only found in Brazil. Because of this tremendous diversity, Brazil is one of the last places on earth where no one is a foreigner, where one can change one’s destiny without losing one’s identity and where each and every Brazilian has a little of the entire world in his or her blood;


                                      • this may be the reason the Brazilian receives anyone from another land so well. According to surveys carried out with foreign tourists who visited the country, 97.2% intend to return soon; 56.5% had their expectations completely satisfied; and, for 31.7%, their expectations were completely exceeded. As you can see, those who come to Brazil become fans on the first visit. Find out more about Brazil by navigating through our site. Or better yet: visit the country in person and feel for yourself the happiness and enthusiasm of our people.



                                      Brazilian democracy Brazil has been a republic since 1889


                                      • throughout this entire period, the country actually lived little more than thirty years of democracy (1946-1964 and from 1985 to the present). Nevertheless, it is one of the most democratic nations on earth. Brazilian democracy, which was won back after 21 years of a military dictatorship, proved to be vigorous and became an important part of the life of its people;


                                      • the National Congress has been operating like clockwork for 175 years. In the entire history of the country, only on three occasions did the elected representatives not complete their terms. The strength of the Congress is actually so great that not even the military dictatorship of the 1960s could do without it;


                                      • there have been national elections in Brazil since 1823. And these elections have been open to voters in a manner almost unheard of even for European democracy standards.



                                      Official sites about Brasil:


                                      http://www.turismo.gov.br/site/br/home/index.php

                                      http://www.brazilsf.org/brazil_links_eng.htm

                                      http://www.braziltourism.org/links.shtml

                                      http://www.brazil4you.com/brasil/

                                      http://www.brazilbrazil.com/stats.html

                                      Brasília history

                                      The idea


                                      Shifting the capital from Rio de Janeiro to the heartland was actually quite an old idea. Hipolito Jose da Costa was supportive of it at the turn of the previous century. Jose Bonifacio presented a bill to the Constitutional Assembly of 1823, which was to be dissolved by Dom Pedro I (Emperor of Brazil). All Constitutional Assemblies held after the Republic (1891, 1934, 1937 and 1946) had provisions for the change.

                                      ( Rio de Janeiro mount, called “Pão de Açúcar” )


                                      There were several reasons why such a measure should be taken:

                                      • fear of invasions – Brazil had been systematically invaded in the past (by the French, the Dutch and even by the Portuguese, after Independence). Having the capital (Rio de Janeiro) by the sea made it very vulnerable;
                                      • helping develop the heartland;
                                      • security reasons – A smaller city would be easier to control in the event of riots or the like. Also, popular demand would be of lesser extent.


                                      In the end, Brasilia came to be as a result of one man’s will to take this cause with all his heart, after being asked if he would do so by a common citizen in a small town rally.

                                      ( Map showing “Plano Piloto” in detail. Source “Telebrasília” )

                                      Brief history

                                      Brasilia was constructed between 1956 and 1960, during the government of President Juscelino Kubitschek. It was inaugurated, as Brazil‘s new capital, on April 21, 1960. Its master plan (“Plano Piloto”) was conceived by Lucio Costa, and its major buildings were designed by Oscar Niemeyer.


                                      ( Niemeyer, Israel Pinheiro, Lúcio Costa and Juscelino )


                                      Planned for only 500,000 inhabitants, Brasilia has seen its population grow much more than expected. Several satellite towns have been created over the years to house the extra inhabitants. Brasilia’s total population (including the satellite cities) is now over 2,000,000 inhabitants.

                                      The meaning


                                      The word “Brasília” can mean many different things:

                                      ( The 19 former Administrative Regions of the Federal District. Source: “Codeplan” )

                                      • Administratively, Brasilia is only one of the Administrative Regions of the Federal District. “Asa Sul” (Southern Wing), “Asa Norte” (Northern Wing) and the downtown area of “Plano Piloto” (Pilot Plan) are parts of it.



                                      • To some, Brasilia is everything which was in the original urban plan; nowadays that is divided into three administrative regions: “Brasilia” (as above), “Lago Sul” (South Lake) and “Lago Norte” (North Lake).


                                      • for many of the Federal District’s inhabitants, Brasilia would include all of the above plus one more administrative region, “Cruzeiro” (which is itself subdivided into four areas – “Cruzeiro Velho”, “Cruzeiro Novo”, “Octogonal” and “Sudoeste”). For those people, “Cruzeiro” is not a satellite town. Note: for some people, “Octogonal” and “Sudoeste” are part of Brasilia, but “Cruzeiro Velho” and “Cruzeiro Novo” are not. My personal opinion is that this does not make sense, as the four areas are contiguous.


                                      • Finally, “Brasilia” is also used to mean both the “Plano Piloto” and all satellite cities. In this case, the urban nuclei of all the Administrative Regions of the Federal District would be included.


                                      * Note: when one wants to show Brasilia as a big and important city, it is common to say it has “almost two million inhabitants”. In this case, definition 4 is in mind. However, when someone talks about qualities such as “the large green areas” (which are not present in many satellite cities) he refers to the definitions 2 or 3. One can easily see that the meaning of the word Brasilia is dependent upon the person using it and the context.


                                      ( Brasília in the 60′s and in 2004 )

                                      Some current problems


                                      • The number of cars in the street grows at a high rate, as do gridlocks and the lack of parking spaces.


                                      • Even though many are forced to live far from Plano Piloto (and therefore far from their working places), there still are lots of as yet unbuilt residential buildings. Some North Wing superquadras are still totally uninhabited.


                                      • The newest residential area, “Sudoeste” (Southwest), still uses the 40-year old residential conception of the original “superquadras”. Even today, those who want to live close to Plano Piloto have just two basic living choices: (1) to live in a house or (2) to live in an apartment in a “superquadra” (where buildings can only be 3- or 6-stories high).


                                      • The preservation of the city as decreed by UNESCO in 1987 was a mixed blessing. On one hand it helps preserve the quality of life; on the other hand, it makes very difficult for the city to adapt new urban concepts. There is a risk that the “Capital of the Third Millenium” might turn into the “Petrified Capital of the Sixties”.


                                      • The newest satellite towns are very short on open spaces and greens, as opposed to the older satellite towns and Plano Piloto itself.

                                      More information about Brasília:
                                      http://www.infobrasilia.com.br/


                                      Brasília Home Page:
                                      http://www.geocities.com/TheTropics/3416/


                                      Links to sites about Brazil:
                                      http://www.geocities.com/TheTropics/3416/information_brazil.htm



                                      Brasília, the capital of
                                      Brazil, was built 45 years ago by Juscelino Kubitschek, the Brazilian President at that time. It has the shape of an airplane, and was planned by Oscar Niemeyer. Because of that, it is divided into Northern, Southern, Western and Eastern parts. It is the most modern city of 20th century, and was registered as Mankind Heritage by UNESCO in 1987.


                                      Basic Information

                                      DDD: 61

                                      Inhabitants: 2.051.146

                                      Fuse Time: - 3 GMT

                                      Local Holidays:

                                      Apr/21 – Anniversary of Brasília

                                      Nov/30 – Dia do Evangélico


                                      Brasília is a singular city. It was built in the middle of nothing and inaugurated in less than four years. Only these facts would be enough to make evident that the capital of Brazil has a history, a least, different from all the other tourism spots of Brazil.


                                      As if it wasn’t enough, Brasília also has the most different monuments. No antiquities or constructions from other centuries, but quite the contrary. The sinuous shapes and the dynamic and daring lines of most buildings give a special characteristic to the city. It’s amazing how the concrete was molded, inspiring a futuristic sensation on those who stares the architectonical set.


                                      The shape of the city is also irreverent, with a shape of a plane and with no crossings, allows tourists to go through it easily. However, it’s practically impossible to know it by foot, due to the distance between the tour spots. It’s indicated to rent a car, since buses takes long routes.


                                      Registered as Mankind Heritage by UNESCO, it has two main access ways. Eixo Monumental is where Congresso Nacional, Palácio do Planalto and Supremo Tribunal Federal buildings are located, among others. Eixo Rodoviário takes visitors to the residential sector of the city.


                                      Approximately 90 embassies are placed in Brasília, which also has a people originated from the mix of people from the most varied places. Such mix is also reflected in the city gastronomy, which has influence of typical food of brazilian savanna and also from the european cuisine in a profusion of flavors.


                                      But it does not have only concrete. Besides
                                      Paranoá Lake, one of the biggest artificial lakes ever constructed, the metropolis and its surroundings has green areas, like Parque Nacional and Parque da Cidade. Those who want to know Chapada dos Veadeiros disembark at the international airport to, then, take a bus to the neighbor cities of the park, inhabited by mystics from all around the world.


                                      Besides being constructed to be grandiose, with imposing monuments, it’s a calm city, where calmness reigns, with streets usually empty, especially in the weekends. But don’t think that there’s no nightlife in the city. Even with fame of peaceful, Brasília has bars and nightclubs very frequented by tourists and local residents. More than a simple destination for business trips, more and more it gets consolidated as cultural and entertainment nucleus of
                                      Brazil. Obviously, it will always be ideal for the realization of great events, with Convention and Exhibition Centers and auditoriums.

                                      Brasilia home page:
                                      http://www.geocities.com/TheTropics/3416/bsb_port.htm

                                      More information about Brasilia at:
                                      http://www.brazilonboard.com/BSB/BSB_en.asp


                                      Brasilia: the view of its airplane shape




                                      Vista aérea de Brasília, 45 anos…


                                      Se vista do alto, a cidade tem a forma de um avião e foi organizada por setores:
                                      repartições públicas, comércio, indústria e áreas residenciais.
                                      As distâncias são grandes e por isso o melhor meio de transporte é mesmo o carro.
                                      A área escura à direita é o Lago Paranoá.



                                      There is an artificial Lake in Brasília, called “Lago Paranoá”, with 4 bridges connecting Brasília to the other parts of the state. This is the newest one, named JK bridge in honour of the President who built the city. This is the most beautiful bridge in the world.


                                      Ponte Juscelino Kubitschek

                                      A novíssima Ponte Juscelino Kubitschek, também conhecida como “3ª Ponte”. Foi inaugurada em dezembro de 2002.

                                      There is a Palace in Brazil, called “Congresso Nacional”, which is the headquarter of our Parlament. You can see its three parts: the Senate, the two 28 storey buildings that take form of letter H ( which means man in Portuguese, Honor and Honesty ) and the Chamber of Deputies.


                                      Amanhecer no Congresso
                                      Os edifícios do Senado Federal e da Câmara dos Deputados foram posicionados para que no dia 21 de abril, o Sol nascesse entre eles, moldando as torres gêmeas como imagens de um Stonehenge futurístico.

                                      The Metropolitan Cathedral has the shape of a crown, and it was inpired by the crown of the Statue of Liberty ( USA ).



                                      Catedral Metropolitana ‘Nossa Senhora Aparecida’ e a Esplanada dos Ministérios

                                      Brasília é também considerada uma cidade mística e atrai milhares de visitantes e de seitas religiosas para as comunidades – como a Cidade da Paz, e o Vale do Amanhecer – construídas em seus arredores.
                                      In the Square of the Three Powers you will find the Legislative Authority, the Executive and the Judiciary in absolute equilibrium, independence and visual harmony. There are typical trees of our tropical clima, like the yellow tecoma below.


                                      O belo Ipê amarelo do Cerrado na Esplana dos Ministérios

                                      A melhor época para visitar Brasília vai da segunda metade de abril à primeira metade de junho. Neste período a estiagem ainda não começou e as temperaturas são mais amenas.


                                      The National Theatre has the shape of a truncated pyramid similar to the one at Queops in Egypt. Its façade is a composition in cubes and rectangles created by Athos Bulcão. You can also see the upper plataform of Brasília Bus Terminal.


                                      Teatro Nacional ‘Cláudio Santoro’. Em primeiro plano, a Plataforma Rodoviária


                                      Com pirâmides que lembram a antiguidade egípcia, como o Teatro Nacional e o Templo da Boa Vontade, Brasília é cercada por misticismo desde a sua criação.

                                      You can see the large avenue of Brasília situated at its central part, in the “body of the airplane”, which is called “Eixo Monumental” because of the Monuments we can see around it, like the TV Tower, 224 meters high, 25 meters up there is the Gemstone Museum and on the Lookout deck at 75 meters there is one of the best views of Brasília.


                                      As avenidas em destaque são o Eixo Monumental e a W-3




                                      You can see the headquarters of Brazilian Banks and of Brasília Hotels. This picture was taken on the TV Tower Lookout deck.


                                      Setores Comercial Sul, Bancário Sul e Hoteleiro Sul vistos da Torre de TV

                                      Planejada para uma população de no máximo 500.000 mil pessoas..não haveria engarrafamento e nem semáforo. Entretanto…mais rápido que qualquer um pudesse imaginar.. há mais de três milhões de habitantes dentro e ao redor de Brasília, e sim…..muitos semáforos e engarrafamentos.


                                      This is another view of the headquarters of Brazilian Banks at night. The lower one is called “Caixa Econômica Federal” and the highest one, “Banco Central” ( our FED Bank ).


                                      O Setor Bancário Sul ao anoitecer, destacando-se o edifício-sede do Banco Central, à direita



                                      Um dos grandes destaques da capital é sua arquitetura moderna, que lhe rendeu o título de Patrimônio Cultural da Humanidade.

                                      Another view of our FED Bank, and the South wing of Brasilia airplane.



                                      A Asa Sul e o edifício-sede do Banco Central








                                      The view of the North wing of Brasília airplane.



                                      Vista aérea da Asa Norte


                                      Brasília at Christmas













                                      Brasília classical view


                                      My hometown, Goiânia


                                      I was born in Goiânia, a city of Goiás, a state in the middle western region of Brazil. As I do not live there since 5 years old, I cannot tell you in detail its history etc. Therefore, I decided to show you some pictures about it.

                                      Goiás



                                      The most central of the Brazilian States and the most populous of the region, Goiás presents a landscape of plateaus and chapadões:

                                      • in the height of the draught, from June to September, the lack of rain makes the level of the River Araguaia go down and brigs up almost 2 Km of beaches, making it the main attraction of the State;

                                      • at the Emas National Park in the municipality of Chapadão do Céu, it is possible to observe the typical fauna and the flora from the region;

                                      • at the Chapada dos Veadeiros the attractions are the Canyons, valleys, rapids and waterfalls. Other attractions are the historical city of Goiás (or Old Goiás), at 132 km from Goiânia, established in the beginning of XVIII Century, and Caldas Novas, with its hot water wells attracting more than one million tourists per year.


                                      More information at:
                                      http://www.brazilonboard.com/estados/en/go_turistico.asp


                                      Goiânia















                                      Basic Information

                                      DDD:
                                      62

                                      Inhabitants: 1093007

                                      Fuse Time: - 3 GMT

                                      Local Holidays:

                                      Oct/24 – Anniversary of the city

                                      May/24 – Day of “Nossa Senhora Auxiliadora”, patron saint of Goiânia.


                                      The capital of the state of Goiás, Goiânia is 200 km southwest of Brasília and 900 km from both Cuiabá and São Paulo. Planned by urbanist Armando de Godói and founded in 1933, it’s a fairly pleasant place, with lots of open spaces laid out around circular streets in the center. There are three main zones—housing is in the south, administration is in the center, and industry and commerce are in the north. Goiânia’s economy is based on the commercialization of the region’s cattle.


                                      Goiânia is a new city. It was planned and constructed less than a century ago, but grew quickly and is already the second most populated city in the Mid-West region, only behind Brasília. The parks are among the main entertainment options. Most of them is registered as city patrimony and have infrastructure to receive the public, with entertaining equipments, lunch area and, in some of them, space for camping. Notoriety to the “Zoológico” (Zoo), which offer paddle boats. There are also eight museums in the city.


                                      Restaurants, bars and hotels are concentrated in noble districts, like “Setor Oeste”, “Bueno” and “Marista”, but the night program of show houses is varied and attends well the population. There are also good bars in the city, always presenting live music. Maybe it’s the reason why Goiânia is considered origin of new singers, who, above everything, become known regionally, and artists.


                                      Considered to be one of the seven best cities in terms of quality of life in Brazil, Goiânia is proud of delighting its inhabitants and visitors:


                                      • woods like Buritis and Botafogo, Lake Rosas, the Botanic Garden and the Ecological Parks of Goiânia, Vaca Brava e Areião, are examples of urban development in partnership with nature and a true commitment to the well-being of the population;

                                      • in all these places, refreshing lakes, luxurious vegetation and the sound of birds and animal can be appreciated quite closely by the man, specially while going for a walk, as there are jogging tracks almost everywhere;

                                      • but a well preserved and a most valuable nature is not the only attraction of this city founded by Pedro Ludovico in 1934 in a region of humid and mild climate, 749 meters above the sea level and average temperature of 21,9 ºC.


                                      You can find many leisure options in Goiania, several entertainment areas at shopping malls. Or if you prefer a walk you can visit the City Park. At the Zoo you will observe the beauty of the Lagoon of Roses. Museums, theaters are also good options.

                                      Anhanguera


                                      Located on the corner of Avenida Anhanguera and Avenida Goiás, the
                                      Bandeirante Square, oficially named Atílio Correia Lima Square, was built in honor of the architect responsible for the urban project of Goiânia. The statue of Bartolomeu Bueno da Silva, the Bandeirante with his vessel, stands there as an honor of the Academic Center of São Paulo Law School to the people of Goiânia. The square was the main stage of several political meetings at the time of UDN and PSD.

                                      Araguaia Avenue


                                      Just on the way out of Praça Cívica, to the north of the city,
                                      Araguaia Avenue has 1.5km of extension and is a main street in Goiânia. It crosses several other important avenues, the Park of Mutirana and Botafogo, and it is of great commercial importance as many malls, hotels, stores and churches are located there. It is a very busy avenue.

                                      Margina Botafogo


                                      The name of this avenue originated from Botafogo Stream. It is one of the most important alternative ways to the traffic flow of the city. Average speed: 80 km/h. It goes from north to south of the city.

                                      Autodrome


                                      The international car race track Ayrton Senna counts with all the necessary facilities and is totally equipped to hold national and international championships,as the World Championship of Motorbike. It also includes a kart track, with three different circuits, capacity for three thousand people on the grass stand destinated for the fans, parking lot for five hundred cars and a six meter large track.. The car track, though, has a capacity of a hundred people audience. The information to the public is disposed on an electronic screen that indicates the position of the first six participants, the number of laps of the first place, the duration of the race by a digital timing device, in minutes and seconds, and an eletrographic device for news and advertisements.

                                      Backstand


                                      Cívica Square
                                      (beginning of Av. Goiás) – SETOR CENTRAL Located on the Cívica Square, the gallery is part of the history of the city, and a stage for artistic, cultural and political presentations and meetings. It was officially inaugurated on the 5th of July of 1942 on the occasion of the Cultural Baptism of the city. Due to several remodellings throughout the years, the gallery had been totally modified in its original plan. During Hélio Mauro Humbelino Lobo’s administration, though, it was given back its characteristics through a lot of hard and detailed work, including the hiring of the mason who had worked at the time of the original construction.

                                      Botafogo Park


                                      Located in the Setor Central, next to Setor Vila Nova, on
                                      Araguaia Avenue, is crossed by Botafogo stream and the Marginal Botafogo A privileged area due to its arborization, the park counts with jogging track, mutiple use courts and sports equipment.

                                      Vaca Brava Park


                                      The park Vaca Brava is extremely popular among young people, used as a meeting place for get togethers with friends,party or even work out along the sidewalk. The 18 square meter area for leisure activities is located right by the Goiânia Mall. The stream Vaca Brava rises right in the park. The park counts with woods of trees native to the region, besides a beautiful lake with ornamental fish.

                                      Zoo


                                      The zoo is very easy of access, being located just 1 kilometer far from downtown. It counts with 1.200 animals and 193 speciesFive different streams of water flow into several lakes in the inner part of the area. There are three ciliary forests and the stream Córrego Capim Puba rises right there flowing into the majestic Lago das Rosas, known by its fish raise and water bikes. There is a well iluminated jogging track, fitness center, soccer fields on the sand and court. The place also holds the Castelinho, an important building for the students. Completely recovered nowadays, Castelinho was destroyed after the Military Coup as it was the stage for the students resistance acts against the political militaryn regime.

                                      Rosas Lake


                                      The
                                      Lake Rosas is one of the Zoo’s main attraction. It is very visited by the local people and tourists, specially on the weekends, as it is a perfect place to be with friends,to go for a walk, or simply admire the great variety of animal species raised there as well as the plants native to the region. It is worth checking it out.

                                      Buritis Forest


                                      It is considered a landscape patrimony reserve designed in the original city planning. Downtown of the city, it has lots of trees, plants and three artificial ponds supplied by the Buriti Creek. In one of them, there is the highest water jet of
                                      South America.

                                      Shopping Center


                                      At Flamboyant, Bougainville, Goiânia Shopping and Mil Shopping, there are several departments stores, famous brand boutiques, fast food places of the most varied and well-known franchises, several movie theaters and child recreation areas. The malls are also some of the tourist attractions of Goiânia.

                                      Cora Coralina Fair


                                      The most traditional sweets of the local cuisine have a well-known address. They can be found on Rua do Lazer or Rua 8 every Saturday, between Rua 3 and the
                                      Anhanguera Avenue, where Cora Coralina Fair takes place. The name is a homage to the most famous sweet maker and poet of the State of Goiás. The fair was created in order to put together all the people involved in the production and comercialization of home-made food products. A strict quality control has transformed the place into a reference point in the selling and buying of pies, cookies and appetizers. There is also a great demand for honey and other related products that are sold by a group of people, all of them members of Goiânia Apiculture Association. The street is beautifully decorated every year one day before Mother’s Day, to celebrate the anniversary of the fair.

                                      Lua Fair


                                      Counting with approximately nine hundred-fifty exhibitors, the Feira da Lua is the second biggest fair in the capital It takes place every Saturday on
                                      Tamandaré Square, crossed by Avenida Assis Chateaubriand. The fair was created by the city government on the 29th of December of 1992 due to the growing demand of many craftsmen and artists and lack of space in Feira da Praça do Sol. The clothing area is the most popular one, known for its good taste and high quality products. The food booths are in the second place, with its sweets, cakes, appetizers, fruit juices and local typical dishes, all of them prepared in good sanitary conditions guaranteed by the city government vigilance. The area for the craftsmen and artists occupies one of the sidewalks that divides the fair in two parts. A lot of mystic products can also be found there. Open on Saturdays From 5:00 p.m. to 10:00 p.m.

                                      Doce Mel e Natureza Fair


                                      The idea of bringing the practice of arts and crafts closer to people from the community that would thus be able to see the craftsmanship and canvases being painted on an open area motivated a group of artists and craftsmen to request the creation of such a place. The traditional Feira do Doce, do Mel e da Natureza became popularly known as the Feira do Sol, as it is located on a square nearby downtown that bears this very name. Young people have the Feira do Sol as a meeting point, it is an ideal place to get to know new people and have a chat at the three existing pit dog points, at the garden benches or just sitting on the grass. The fair offers food, clothing, antiques, jewelry, flowers, among other hand-made products. There is also a very popular area for the buying and selling of dog puppies. The City Tourism Department is responsible for the fair as well as for granting the dog commercial permits that are valid for a specific period of time. This assures a democratic participation of different dog breeders, and good care for the animals, control of vaccine, etc. The fair was created on the 1st of April of 1990 and also counts with specific leisure facilities. A playground and a special area for live shows contribute for its strong attraction and popularity among the people of Goiânia.
                                      Open on Sundays From 4:00 p.m to 9:00 p.m.

                                      Fundação Museu de Ornitologia


                                      Beauty, grace and color are a perfect combination to over a hundred twenty pieces of the Ornithology Museum Foundation’s collection estimated in fifteen million dollars. Considered the biggest in the world and a cultural treasure to Goiânia, the Museum was founded in 1968 by the scientist José Hidasi, who is responsible for its administration. The visitors have also access to an extensive library with scientific data in books and specialized magazines and a laboratory of taxidermy. The exhibit of prehistoric pieces and curiosities of the animal world counts with a great variety of species from the primitive mammals (kangaroo, koala, ancient horses) and the more developed ones (dolphin, monkeys) to the native species ( the tamanduá, a Brazilian anteater, the tatu, a Brazilian hog, the preguiça). There is also a collection of the most beautiful and rare birds in the world, like the quetzal – Aztec sacred bird – albatross, penguin, among others. Reptiles, fish, moluscs and others complete the collection that offers as one of its main attraction the multicoloured butterflies from ecological groups of Australia, the United States, Canada, Europa, New Ghinea, New Zealand, Africa, Cuba and other native species to Ilha do Bananal, Beira Mar, Pantanal and Cerrado.
                                      Open everyday Schedule: from 8:00 a.m to 5:30 p.m.

                                      Serra Dourada Stadium


                                      The stadium was inaugurated on March 9th of 1975 and it is considered to be one of the best Brazilian stadiums. Its name was given after the hill Serra Dourada in the west part of the state, also where the first capital of Goias, Cidade the Goiás, is located. It can hold up to 54.049 spectators and it occupies an area of 160.000 square meters. The field is 118 meters long by 80 meters wide and its grass is imported from the United States. There are seven entrance gates, twelve exits and five clothing rooms, one of those for the judges. The fans that go to the stadium whenever there is a match have at their disposal twenty-one bars: four of them in the geral, general admission area, thirteen in the bleachers, three in the reserved seats and one in the boxes. The light system of the stadium deserves special attention as it is one of the best used in big sports open areas.



                                      More information at:

                                      http://www.brazil4you.com/cidades/?CodCid=42

                                      www.brazzil.com/pages/traoct99.htm

                                      http://www.brazilonboard.com/GYN/GYN_en.asp



                                      Hi, people!

                                      My name is Thaís. I have a few comments to make about myself. For example, I am from Brazil, where we only speak Portuguese as our official language, so I will write here in Portuguese almost all the time. My favorite thing to do on a rainy day is to sleep. Even though I sleep a lot whenever I can, I also like to sing, to play the flute and to dance.

                                      What am I doing now? I decided to become a classical translator, with a background in Greek and Latin, for example, because of the book that has had the biggest impact on me, the Bible. Without its translation into modern languages, we would still be writing in Latin.

                                      What do I do in my job? I am also an English teacher despite being graduated in Translation and Law. I work for the local government in Brasília, the capital of my country, where I have been living since I was 5 years old, but I was born in Goiânia.

                                      I started to work for a magazine, too. I write about Chinese culture and politics, I do some translations and review some articles written in Portuguese.

                                      My plans for the future? I love Asian cultures, but I have not lived abroad yet. I plan to start travelling soon, for more or less three months. I got to know about some exchange agencies, but I will work on an English proficiency certificate first. (I aim at getting Cambridge ESOL CPE certificate, but I am not desperate for it now)

                                      I am really glad of these weeks we share, hoping to learn more about English. I am particularly interested in English phonics and spelling rules. I am working on this kind of mistakes, and I would be pleased with any help you can provide.

                                      You are welcome to visit my home page and to talk to me anytime:

                                      Web page:

                                      http://thaislobojunqueira.googlepages.com/

                                      Thanks for visiting my blog, I hope to hear from you here, too…

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